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Showing 53–104 of 111 results

  • Can you fix this? – Mantraste

    25.00

    “Can you fix this?” is a series of publications in which artists explore the visual effect of a panel composed of 9 detachable pages from the book. In this first edition, “That day my grandma took away all the cows and dreams of my grandpa” by  Mantraste.

  • DOUBLE CHECK YOU’RE ALONE – Aaron Elvis Jupin

    39.00

    “Cartoons and erotica have much in common — fantasy, desire, an adipose sense of volume. Aaron Elvis Jupin assembles these polarities of play and smut, refracting their constituent parts to form a visual cosmology that crawls over paintings, onto walls, into various vintage ephemera. The results layer innuendo and innocence; a declension of glyphs sticking their tongue out at the fuddy duddiness of words.” — Christina Catherine Martinez, An Interview with Artist Aaron Elvis Jupin, thehundreds.com

  • 2017 – Bráulio Amado

    35.00

    After the success of 2016, Bráulio repeats the formula in 2017, making use of the fact that he rarely repeats formulas to offer us a book with unpublished works, such as posters, illustrations, identities, exhibitions, merchandising and other works, all materialized in 2017. “(…) Bráulio continues to consistently create intense, frenetic, almost manic pieces at an exhausting rate. The posters seem to reference a wide variety of historic cultural designs from around the world without copying any of them. They feel contemporary but at the same time vintage. The fun is turning each page to see what new technique or typeface is being distorted or invented. (…) Bráulio plays every instrument in the orchestra and he plays them like an experimental jazz musician - with skill and with creativity.” — Luke Hayman (Pentagram)

  • KINGDOM -Rita Lino

    18.00

    “Fighting can be one way to make peace with oneself. (…) For Rita Lino, her last chapter in life needed to end and the remnants of sorrow laid to rest and so her madness had reached a climax and she needed to erupt. She decided that in the fight that is the life she needed to let go and wrestle out her demons with two compassionate and willing, male comrades to aid her in this hour of need. Undignified naked forms, red-faced with contorted expressions, tangled body parts, confused, fragmented, the anger, frustration, and pain squeezed out. Emptied and in the process guarding the essential self.” — Michael Grieve

  • ON EXILE – José Carlos Teixeira

    24.00

    Texts by Ana Anacleto, João Pinharanda, Steven Henry Madoff, Jeremy David Bendik-Keymer, Maria Iñigo Clavo, Linda Ehrlich, Maria de Fátima Lambert, and Jean D. Soares (PT/EN) This book presents, through a series of works produced between 2016 and 2017, a reflective look on, on the one hand, mental illness and depression and, on the other hand, refugee status in the current context. The concept of exile is both thought of from a geopolitical perspective, as it is interpreted metaphorically. With reference to the language of the documentary, the video-essays on display methodologically explore the interview as artistic practice and kinematic territory, creating space for empathy and allowing the construction of intimate and psychological portraits.

  • SOUND CLIMAX – Pedro Cabral Santo

    30.00

    SoundClimax is not really a book. It pretends to be a true artistic artifact, able to cross the poetic, sonorous and moving image through a series of artworks made in the last 30 years, mostly in partnership and collaboration. 17 video installations, 17 ambient sound pieces (remix, mixture, found footage, noise, sampling, trash and sound pieces), from the FUZIVEL Project platform, with sound design and remastering by Fernando Fadigas, and also 17 excerpts from poems make the final object.

  • LIVRO DE PINTURAS II – Martinho Costa

    45.00

    Martinho’s second paintings book mimics the original book series the artist developed daily. With six books simultaneously opened in the studio, Martinho painted with oil on a different book each day, letting the paint dry during the rest of the time and starting all over again the following week. This is the second of six books of that series.

  • PROPELLER #1 – STAIN

    45.00

    Includes visual essays by João Penalva, Jörg Sasse, José Luís Neto, Robert Zhao Renhui, Sjoerd Knibbeler, among others. Texts by Walter Benjamin, Maria Filomena Molder, Soraya Vasconcelos, Brad Feuerhelm, talk with Lauren Henkin and Sofia Silva. Cover by Valter Ventura and works by Alex Gomez-Marin, Douglas Collins and Sónia Marques. When we chose to dedicate Propeller’s No. 1 issue to the “Stain”, we were moved by a desire to think about abstract photography. Above all, we wanted to investigate the morphological nature of photography, not only in terms of matter but above all in what transcends the same matter, transforming photography into an artistic entity. On the one hand, we were interested in thinking about a photography less dependent on the lines that circumvent the universally coded elements - human figures, natural elements, etc. - on the other hand, we wanted to venture into the depths of the mechanism of photographic representation and, there located, think how the absolute stain of photography is constituted: how is photography an image? How is photography pictured from, with and in addition to the elements that are imprinted on it?

  • PELE E PEDRA – Ana Rito

    24.00

    Texts by Isabel Nogueira, João Silvério, Ana Rito (PT/EN) Ana Rito investigates the presence of the body and the image. And when attentive to the perception modes and a sense of permanence, she also researches the relationships established over time and space. The reference of the title to skin and stone invokes the succession of strata and the density that makes up the matter, but also the way the artist approaches her work. In these works, the human figure is predominantly alone and in tension. The action arises from a relationship with the environment and with the objects that populate it, often reported to the body. And the way light shifts reinforces the expressiveness of matter, which is already accentuated.

  • CABRITA REIS @P28/P31

    30.00

    This book brings together five collaborative moments between Pedro Cabrita Reis and both P28 and P31 associations. These associations explore the relationship between the city, “non-places” and culture by taking action on social responsibility, working with artists/patients of the plastic arts studio of the rehabilitation service of the Psychiatric Hospital Center in Lisbon. “The Others” is the first collaboration documented here and is a project based on the exchange of roles between Pedro Cabrita Reis and the artists/patients. In this creative process, Pedro Cabrita Reis plays the role of a matrix - the model reproduced by artists/patients together with a sculptural intervention by Pedro Cabrita Reis.

  • JETSET DI STREET – Germes Gang

    28.00

    A crew/art project based in Portugal and now in Berlin. Their first interest was to create some kind of graff that didn’t exist before, something mega dirty, mega trashy, and the ultimate badass style, but always with some kind of humor behind it, ironical and evil, something really bad in all senses.

  • Sale!

    T-SHIRT Germes Gang

    25.00 20.00

    Available in white only. 100% cotton, classic cut. Limited edition

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    242 HASHTAGS – Patrik Mollwing

    35.00 25.00

    Patrik Mollwing is an illustrator and art director, and his colorful, fluid style feels loose and wibbly with characters made up of long limbs and soft-edged shapes. He depicts a colorful cast of forms including bendy wrestlers, Norse mythology figures, and sweaty runners. Recently he’s been broadening his practice by creating gifs and wigglegrams, which suit his style perfectly, with the movement making his work feel even more fluid.

  • YOU COULD FEEL THE PLASTIC – Ricardo Passaporte

    15.00

    Ricardo Passaporte's body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

  • RREVOLUÇÃO! / ROSTA REBOOT

    35.00

    It will be a hundred years since the revolutionary explosion of October 1917 that launched Russia in the path of modernity. It was with this in mind that the curatorial team invited a significant cast of contemporary artists to produce posters with the main purpose of expanding to our contemporaneity that moment of alterity and dialectical conjunction between Modernism and Revolution. By analogy or in a more deferred and less mimetic attitude, they contrast the straitjacket that is the political message with the experience of freedom and conceptual provocation that defines the art of the twentieth century and that which is defined at the threshold of this century. Artists: Albuquerque Mendes, Alice Geirinhas, Ana Boavida, Ana Catarina Fragoso, Ana Pérez-Quiroga, Ana Rito, António Melo, António Olaio, António Silveira Gomes, Armando Azevedo, Avelino Sá, Beatriz Albuquerque, Bruce Gilchrist, Bruna Sousa, Daniel Nave, Elisa Pône, Felippe Moraes, Fernando José Pereira, Fernando J. Ribeiro, Francisco Queirós, Isaura Pena, Jo Joelson, Joana Monteiro, João Bicker, João Fonte Santa, João Silvério – Empty Cube, José Maçãs de Carvalho, José Maria Cunha, José Pedro Croft, Luís Alegre, Manuel João Vieira, Miguel Ângelo Rocha, Miguel Palma, Miguel Soares, Nuno Coelho, Nuno Sousa Vieira, Paul Hardman, Paulo Mendes, Pedro Amaral, Pedro Cabral Santo, Pedro Cabrita Reis, Pedro Calapez, Pedro Pousada, Pedro Proença, Pedro Sousa Vieira, Pedro Tudela, Pedro Valdez Cardoso, R2 – Artur Rebelo and Lizá Ramalho, Rita Castro Neves, Rita Gaspar Vieira, Rodrigo Oliveira, Rui Matos, São Trindade, Susana Chiocca, Susana Mendes Silva, Vanda Madureira, Vânia Rovisco, Victor Pires Vieira, Vladimir Pliassov, Zulmiro de Carvalho

  • T-SHIRT Stolen Prints

    20.00

    Available in White and Grey (heather). 100% cotton, silkscreen print. Limited edition

  • T-SHIRT Stolen Books

    20.00

    Available in White and Grey (heather). 100% cotton, silkscreen print. Limited edition

  • PROPELLER #0 – KEEP IT CUMMIN’

    38.00

    Propeller was born to promote the space given to photographic expression, but above all to think about the limits of its aesthetics, aiming at sharing original content. In addition to the publication of portfolios and visual essays by authors recognized by the public, at Propeller we’re focused on sharing new prespectives, that somehow potentiate a critical approach to the field of photography. With a semiannual periodicity, Propeller is a project by HÉLICE‘s team

  • 2016 – Bráulio Amado

    28.00

    “In 2016 I did more than a hundred posters. This is a collection of (almost) all of them. I took some out because they were really really really bad. Others I just couldn’t find the high res files.”

  • ARQUIVO E INTERVALO – José Maçãs de Carvalho

    24.00

    This book brings together four texts that approach four films around the subject of the archive and which somehow epitomize key issues of photographic and videographic practice. Since 2010, the artist’s practice has been exclusively around issues relating to the archive and its expressiveness. At the same time, this project gave rise to an academic research that crossed practice and thinking, spreading to several exhibitions.

  • THE BULLSHIT YOU DON’T KNOW… – Luís Alegre

    15.00

    Don’t all comics tell stories? How can a comic be abstract? Luis Alegre plays with the possibility of comics which tell no stories other than those that result from the transformation and interaction of shapes across the page. Reduced to the most basic elements of comics — the panel grid, brushstrokes, and colors — these abstract comics highlight the combination of abstraction and sequential art, resulting in work that is often surprisingly humorous or emotionally disturbing.

  • BEGÓNIA – Gonçalo Duarte

    12.50

    noun Plant native to the warm regions, grown for its decorative foliage and for their brightly colored flowers that range from pink to deep red.

  • DOUBLE CHECK YOU’RE ALONE – Aaron Elvis Jupin

    39.00

    “Cartoons and erotica have much in common — fantasy, desire, an adipose sense of volume. Aaron Elvis Jupin assembles these polarities of play and smut, refracting their constituent parts to form a visual cosmology that crawls over paintings, onto walls, into various vintage ephemera. The results layer innuendo and innocence; a declension of glyphs sticking their tongue out at the fuddy duddiness of words.” Christina Catherine Martinez, An Interview with Artist Aaron Elvis Jupin, thehundreds.com

  • HORTUS – Maria Condado

    28.00

    This book is a graphic voyage through the history of gardens. As in a card deck, everything is shuffled and dealt again. A portable landscape in book format.

  • UPPERCUT – André Carrilho

    15.00

    A selection of works developed for the last 2 years, among which the cartoons that evoke the Charlie Hebdo attack, Muhammad Ali’s death or the 15 years after New York’s 9/11.

  • BOOTLEG GROCERY low budget – Germes Gang

    18.00

    A crew/art project based in Portugal and now in Berlin. Their first interest was to create some kind of graff that didn’t exist before, something mega dirty, mega trashy, and the ultimate badass style, but allways with some kind of humor behind it, ironical and evil, something really bad in all senses.

  • BUTT-BUDDIES – C. W. Moss

    30.00

    One-sentence summary: A visual exploration of what happens when two men come together.

  • SEBENTA DO DIABO – Mantraste

    25.00

    [The Devil’s Seed] is an illustrated grimoire containing several tales about rituals of occultism, passion, spells and popular conjurations.

  • APROVEITA A VIDA CRISTALYS! – Pedro Almeida

    10.00

    “Instead of glorifying powers, I want to expose the vulnerabilities of cartoon characters and comic book icons usually portrayed as invincible characters who never get sick or die. They become, in the universe of my works, fragile and mortal characters - metaphors of an announced decadence.”

  • [NO TWITTER] / [NO NOTHING] – Luís Alegre

    15.00

    Imagine, for example, birds. When they look out at the world, they have a sense that they are alive. If they are in pain, they can do something about it. If they have hunger or thirst, they can satisfy that. It’s this basic feeling that there is life ticking away inside of you. António Damásio, Los Angeles Times, Conversations in science interview Birds are a miracle because they prove to us there is a finer, simpler state of being which we may strive to attain. Douglas Coupland, Life After God

  • MODERNISMO E AMIANTO – Miguel Palma

    53 drawings on handmade paper Original work (price upon request)

  • YOUNG PEOPLE THINKING ABOUT EACH OTHER – António Olaio

    38.00

    Face drawings done in live drawing sessions and that more than one approach to the portrait, depart from physionomy to pure plasticity of formal games. These heads (thinking about each other) are here accompanied by plant drawings that abstract and reinvent an imaginary botany. Abstract plants as thought? Here, opening the possibility of a connection between the mind and the traditional ornamental vocation of plants, perhaps it is above all to emphasize the very plasticity of thought. João Silverio writes regarding the purpose of Olaio’s work, they «... are always works whose contents are in transit, and so continue. In addition to conducting these formal games, being “in transit” can be a way to synthesize the very work of this artist in the way it faces the nomadic nature of conceptual games.»

  • VISUAL MANIFESTO – Alice Geirinhas

    30.00

    Alice’s second book is a manifesto in the form of an artist’s book which, in the words of the artist, imprints “memories and transgressions explained in patterns”.

  • BOOTLEG GROCERY – Germes Gang

    28.00

    A crew/art project based in Portugal and now in Berlin. Their first interest was to create some kind of graff that didn’t exist before, something mega dirty, mega trashy, and the ultimate badass style, but allways with some kind of humor behind it, ironical and evil, something really bad in all senses.

  • O COLAPSO DA CIVILIZAÇÃO – João Fonte Santa

    48.00

    This book is a visual potpourri of a society that was thought invulnerable and believed eternity was about that brief moment of zero gravity when the world is perfect!  

  • CORNER – Miguel Vieira Baptista

    75.00

    The drawings - glorious, detailed, rigorosos- are gathered in a beautiful book. They are technical drawings, and all appear at least once in the book full scale. They are technical testimony, precision, but more than that, they are testimonies of love. Only a crazy person in love could spend 90 minutes, two hours around a corner to make such a beautiful thing. It takes dedication, kindness, treat muscle. The designs are made of graphite, and painted a felt pen or brush with a crazy care not to drip. Yes, it’s crazy. Yes, it is beautiful.

  • BROWSING – Pedro Amaral

    30.00

    With these exercises, Pedro Amaral keeps the foundation and working method of appropriation by making a selection of images from both books and illustrated encyclopedias, but also from files or the Internet. But what stands out is the white paper, the treatment of the line, the fine features that contribute to the lightness and print a refined and detailed materiality. A determinant characteristic of this work is also the efficient operation of the ink, blue and black, used in the natural landscape motifs and figuration of human activity.

  • LIVRO DE PINTURAS I – Martinho Costa

    45.00

    Martinho’s first paintings book mimics the original book series the artist developed daily. With six books simultaneously opened in the studio, Martinho painted with oil on a different book each day, letting the paint dry during the rest of the time and starting all over again the following week. This is the first of six books of that series.

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    YELLOW BIRDS IN THE SHADE – António Olaio

    55.00 27.50

    This book is a sequel to Olaio’s canvas with the same title and comes with a 7” vinyl with two versions of the song Yellow Birds in the Shade, a happy melancholy. A limited art object with an original handmade drawing on each cover, making each copy unique.

  • THE CABINET OF DR ALICE – Alice Geirinhas

    38.00

    This is a kind of image repository that ultimately builds (or rebuilds) a fictional biography of the artist. Not so much a collection of Geirinhas’ images, but a kind of return to her personal memory. We find here the artist’s drawings, some of which are from that recognizable series, produced in scratchboard, but others made with ballpoint or cheap markers, perhaps more remote chronologically speaking, or the result of relaxation exercises, scribbles to support the thought. But we also find images “found” or “appropriated”, in the form of photocopies, scans, pictures of all kinds of graphic qualities: children’s books, paper dolls to dress, multiplication tables of illustrations and traditional tales, recipes book guards, book covers, advertising sheets, an excerpt of a text in Spanish conservative tinge to the woman, and the everlasting Crónica Feminina.

  • 54 NUCLEAR POWER PLANTS – João Fonte Santa

    30.00

    Kept secluded and in inaccessible areas, nuclear power plants are just redeemed of invisibility through their inclusion in the databases of the Internet, where some general plans are eventually to be confused with any other industrial plant structure and therefore instill an acknowledgment that dilutes suspicions about the operations developing in its interior. João Fonte Santa takes into account the marketing strategies that support the ambivalence of public opinion on these energy sources, which eventually dissipate and even mute the threat hanging over the horizon. The use of watercolor, unlike oil or acrylic, lacks thickness and uniformity to give it body and presence, so images apear to be prints and assume an utopian dimension.

  • RETROFITTING – Miguel Palma

    40.00

    “It isn’t a moralist manifesto, or a radical denunciation. Retrofitting is an allegory to the sense of negativity that flits between necessity and survival. Unlike the beautifying / stultifying impetus of tuning, in which young people spend all their energy on purchasing extras, Miguel Palma will transform a 1972 Rolls Royce Silver Shadow… into an ordinary automobile, stripped of its luxury trappings. This is an anti-necessity. It’s a form of blasphemy, for some.” Miguel von Hafe Pérez, Retrothinking With photos by Luís Silva Campos, this customized catalog documents the construction and presentation of Retrofitting, built at DST Group and exhibited on May 10th, 2014 at Galeria Mário Sequeira, Braga.